District 9 (2009)
Dir. Neill Blomkamp
Wow! What a film, is all I have to say. It's so refreshing to see a genuinely well produced, well scripted and directed science fiction film about aliens that ISN'T set in the United States. No, this film is set in Johannesburg, South Africa's largest city. And the aliens are called 'prawns' (hmmm, I wonder why). The film begins with the premise that the prawns arrived to Earth unannounced in their spaceship several years earlier, for no apparent reason. The South Africans eventually brought the prawns down from their spaceship and housed them in a series of slums (District 9) directly beneath their vessel, which hovered in the sky. And so begins the amazing story of Wikus van der Merwe, a most South African (Afrikaans) character who works for the department for alien affairs. He is the ultimate tragic hero. His fall from grace through the film is both heart-wrenching and satisfying at the same time. He leads a team of law enforcers who try to evict over 1 million prawns from the slum in central Johannesburg to a more secure facility outside the city. The manner in which this happens is reminiscent of the way blacks may have been treated in apartheid South Africa or in segregated America, or any minority group which has suffered unfair persecution for that matter. The film uses aliens as a metaphor to draw attention to the flawed human nature, the difficulty we find in accepting "others" different from ourselves, and the selfishness with which we pursue our own ambitions. It's a dark film, sinister in places, but also beuatiful, in its cinematography and its mesaage. Wikus van der Merwe, at first hateful of the prawns, must learn to deal with them and their kind as he fights to regain control of his life, after an accident in District 9 turns his life upside down. The film was financed by the legendary Peter Jackson (Lord of the Rings, King Kong, Braindead), who used some of the money he made from the Lord of the Rings trilogy to get District 9 off the ground. And it isn't a film to be missed. A movie like this comes along every couple of years, and sets a new benchmark for gritty realist sci-fi. This film checks all the lists, and it'll keep you on the edge of your seat before you even know what hit you. Go see it, if you haven't already.
The Orphanage/El Orfanato (2007)
Dir. Juan Antonio Bayona
A Spanish-language horror movie with a twist. A young couple, Laura and Carlos, decide to head back to the orphanage where Laura spent her youth, and turn it into a carehome for children. The couple's adopted son, who has HIV but doesn't know it, also comes along. But things aren't what they seem at the orphanage. And what seems simply like a child playing games with his "imaginary" friends quickly turns into a sinister plot of cat and mouse games between Laura and the captors of her son, Simon. The film is beautifully shot and benefits from the backing of producer/film-maker Guillermo del Toro (Pan's Labyrinth, Hellboy). The Orphanage doesn't try to scare the viewer with 'cheap' scares but builds the plot up and keeps things elusive, never giving too much away, keeping you on the edge of your seat. It all becomes clear towards the end, after Laura spends much time and energy trying to rescue her adopted son from the clutches of someone (or something) living inside the orphanage.
Eden Lake (2008)
Dir. James Watkins
A fast-paced British horror-thriller which stays away from soppy, happy endings. This is a gritty chase film, about a couple, Jenny and Steve, who decide to (stupidly) stay by a lake in the north of England after being harassed by a bunch of anti-social yobs there. As the story progresses the kids show their true colours, and the cruelty demonstrated in the film is what keeps the viewer hooked. One of the protagonists, Steve, is just plain dumb after he decides to aggravate matters by confronting the kids. That sets in motion a series of unfortunate events which culminates in several brutal deaths in the forests of northern England. It's an eerie setting for a film which shows the disaffected north and its youth turning to horrendous acts of violence in the name of fun. While it may seem a bit far-fetched, Britain DOES have a problem with anti-social behaviour, and people will often go out of their way to avoid young kids who hang about street corners asking for trouble. Eden Lake takes this underlying British fear and escalates it to a whole other level of horror. The film is a must-see, most notably for its brutal scenes of torture, which spring out of nowhere, and just as quickly disappear, leaving the viewer seething with anger and fear.
The Last House On The Left (2009)
Dir. Dennis Illiadis
A remake of a 1972 film with the same name, this is a pure revenge film, through and through. And what a ride it is! The original film caused quite a stir when it came out back in the 1970's for an unusually graphic rape scene. I haven't seen the original, but rest assured, there IS a rape scene in the new 2009 version, and it is brutal! The film is pretty basic as far as horror goes. Two girls get caught up with some terribly nasty criminals and have to run for their lives. The protagonist, 17-year-old Mari, is your typical blond teenager, but her tragic abduction by a band of good-for-nothing criminals releases the fighter in her. Having escaped from her tormentors somehow (they think they've killed her), she ends up finding her way back to her parent's holiday home. But little does she know those very criminals are staying in her parents' guesthouse. When Mari's parents, Emma and John, discover that the people who raped and battered ther little girl are staying just a few hundred yards from them, after they opened their home to them in a storm, the fun begins. It's a roller-coaster ride of violence and suspense the whole way through. After having witnessed the brutality and nastiness of the villains, the viewer wants nothing more than to see them die a horrible death. And the parents, Emma and John, oblige. In a wierd way it can be seen as a feel-good film, the lengths parents will go to protect and avenge their children, it's quite a lovely thought. It's very well done and the director genuinely creates a climate of fear around the main villain. When he finally dies (don't worry, I haven't given it all away) it's a great moment!